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Victoria Arney

As well as making editions of traditional prints Victoria Arney often uses woodcut print in her installations. Using very fine opaque Kozo paper she prints on both sides. No Mans land - used the airflow of spectators as they passed to shift and move ( shown in Finland in 2015) and Shelter 2019 - allows the spectator to walk between the prints. Her trade mark is in shifting the images as she prints them - in both her etchings and her installations. Here she will be demonstrating how to use a woodcut printing technique with Akua inks in a fluid painterly way and to overprint images by hand with a barren.

Earlier Event: November 7
Max Middleton